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(Vocal group, 1965–80) Originally a doo-wop group, The Detroit Spinners signed to Motown in 1965 but were overshadowed by the label’s excess of talent. Their only big hit there was the Stevie Wonder composition ‘It’s A Shame’. Switching to Atlantic in 1971 and switching lead singer G.C. Cameron for newcomer Philippe Wynne, they teamed with Philly producer ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1958–70) Prior to the issue of an instrumental single, ‘Chaquita’, in 1962, this London combo underwent fundamental personnel reshuffles, resulting in a line-up that remained stable for the rest of its career. Then Dave Clark (drums), Lenny Davidson (guitar), Denis Payton (saxophone), Rick Huxley (bass) and Mike Smith (vocals, keyboards) switched their stylistic emphasis ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal group, 1952–60, 1972–present) Formed in 1952 in Cleveland, Ohio, this doo-wop outfit comprised Harvey Fuqua, Bobby Lester, Alexander ‘Pete’ Graves, Prentiss Barnes and guitarist Billy Johnson. Originally called The Crazy Sounds, they changed their name at Alan Freed’s suggestion. After several minor singles, they signed with Chess Records in 1954, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The term electric, or electromechanical, organ is used to describe instruments that produce sounds using a dynamo-like system of moving parts – as opposed to electronic organs that employ solid-state electronics. Laurens Hammond In the same way that ‘Hoover’ is used instead of ‘vacuum cleaner’, the very name ‘Hammond’ has become synonymous with electric organs. The Hammond organ was ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, b. 1948) Although over time the name Alice Cooper came to attach itself to singer Vincent Furnier, it originally applied to the rock band that he fronted, the classic line-up of which comprised Cooper, Glen Buxton (guitar), Michael Bruce (guitar), Dennis Dunaway (bass) and Neal Smith (drums). After recording two albums for Frank Zappa’s Straight label ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The undisputed Queen of Soul since the title was first applied to her in the late 1960s, Aretha Franklin has been hailed as the greatest soul diva of all time. Possessing a voice of power and passion (and an underrated talent on the piano) she has turned her attention to everything from pop through jazz to classical; but with a ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Songwriter, b. 1941) Strong was a Motown staff writer whose own 1960 hit ‘Money’ helped fund the label’s early expansion. His compositions with Norman Whitfield included ‘I Heard It Through The Grapevine’, and led Motown’s forays into more socially aware territory with hits like Edwin Starr’s ‘War’ and many of The Temptations’ psychedelic soul outings. Strong won a 1972 Grammy ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Founder, Motown Records, b. 1929) Gordy co-wrote Jackie Wilson’s ‘Reet Petite’ in 1957 while working on Detroit’s Ford assembly line and started Motown in 1959 with an $800 loan, creating a factory-like hit-making process. Gordy scouted talented Detroit performers and matched them to equally talented in-house writers and producers. He fostered a family atmosphere of (mostly) friendly rivalry ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Piano, vocals, 1905–53) Major Merriweather was born in Georgia and taught himself to play piano. He moved to Detroit in 1924 and worked at the Ford Motor Company, also playing jobs, mostly as a soloist, before moving to Chicago. There he developed a friendship with Tampa Red and they recorded for Bluebird in 1941. His ‘Worried ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

William John Clifton Haley was born on 6 July 1925 in Highland Park, Detroit, and raised near Chester, Pennsylvania. His parents were both musical, and he got his first proper guitar when he was 13. Even though he was blind in one eye and shy about his disability (he later tried to distract from it with his ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The most strikingly original and authoritative voice on cornet since Louis Armstrong, Leon ‘Bix’ Beiderbecke set the example for a generation of aspiring white jazz players during the 1920s. His meteoric rise to fame was followed by a dramatic fall from grace that led to his ultimate death from alcoholism at the age of just 28 in 1931. A Self-Taught Genius ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1935) This gifted Ironton, Ohio-born singer possesses a laconic, empathic baritone voice that has made him one of country’s most adventurous and imaginative song interpreters. During the 1960s, Bare found pop chart success and popularity with folk audiences with wistful, pop-flavoured crossover ballads like ‘Detroit City’ (1963) and ‘Streets Of Baltimore’ (1966). He was ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Marshall Bruce Mathers III was born on 17 October 1972 in Detroit, Michigan. The exact details of his upbringing there and in nearby Warren are unknown, suffice to say he was raised solely by his mother Debbie, and the upbringing, reputedly poverty-stricken, provided ample subject matter for much of the rapper’s lyrical material. 8 Mile And ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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